“It is hard to imagine hearing another performance as convivial and life-affirming as this.”

GRAMOPHONE

WHAT’S ON

On 18 June, we are joined for the first time by internationally acclaimed violinist Rachel Podger. She plays two concertos by the 19-year-old Mozart, and the programme also includes a typically effervescent symphony by Haydn.

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MOZART 250

It is hard to think of a more valuable or ambitious long term musical project than Ian Page and The Mozartists’ MOZART 250.”
EARLY MUSIC REVIEW

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IAN PAGE

Ian Page is the founder, conductor and artistic director of The Mozartists, and the inspiration behind all the company’s programming.

Read more

STURM UND DRANG 3

The latest release in our ‘Sturm und Drang’ series, featuring soprano Emily Pogorelc, is available to stream and pre-oder now.

Click here

WHAT’S ON

On 18 June, we are joined for the first time by internationally acclaimed violinist Rachel Podger. She plays two concertos by the 19-year-old Mozart, and the programme also includes a typically effervescent symphony by Haydn.

Find out more and buy tickets

MOZART 250

It is hard to think of a more valuable or ambitious long term musical project than Ian Page and The Mozartists’ MOZART 250.“
EARLY MUSIC REVIEW

Read More

IAN PAGE

Ian Page is the founder, conductor and artistic director of The Mozartists, and the inspiration behind all the company’s programming.

Read more

STURM UND DRANG 3

The latest release in our ‘Sturm und Drang’ series, featuring soprano Emily Pogorelc, is available to stream and pre-oder now.

Click here

RECORDINGS

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FILMS

Ann Hallenberg sings “Crude furie degli orridi abissi” from Handel’s Serse

For more videos, click here.

Our Associate Artist scheme offers invaluable performance opportunities to young artists.

To find out more, click here.

Find out more about our 23/24 season, and developments in our MOZART 250 project.

For more videos, click here.

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NEWS

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“(Sturm und Drang Volume 3) makes for another exceptionally satisfying addition to a series that is special not just for the thought and scholarship that goes into it, but Page’s direction of his fine players. It is throughout beautifully balanced and paced, while at the same time musically highly insightful.”
BRIAN ROBINS, EARLY MUSIC REVIEW
“Right now, this London-based period instrument orchestra is pretty much exactly where the action’s at.”
MIDLANDS MUSIC REVIEWS
“The spirit of opera was raised by Page’s urgent conducting, crisp orchestral playing and a terrific cast, eager to take full advantage of the opportunities Mozart offers them.” 
THE DAILY TELEGRAPH
“It was fun, fresh, thought provoking and one of the best nights at the opera that I can remember having!” 
MUSICAL OPINION