Marianne Crebassa sings Mozart
26 February 2026, 7.30pm – Wigmore Hall
Marianne Crebassa’s meteoric rise on the international music scene has incorporated all the major Mozart mezzo-soprano roles in leading opera houses and festivals in Paris, Berlin, Milan and Salzburg. In her only London appearance of the season, she makes her début with Ian Page and The Mozartists in a programme that features a selection of favourite Mozart arias alongside two of Haydn’s most profound and exciting early symphonies.
| Mozart | “Dunque sperar poss’io… Il tenero momento” from Lucio Silla, K.135 |
| Haydn | Symphony No. 34 in D minor |
| Mozart | “Ah qual gelido orror… Il padre adorato” from Idomeneo, K.366 |
| Mozart | “Parto, ma tu, ben mio” from La clemenza di Tito, K.621 |
| Mozart | “Ah se a morir mi chiama” from Lucio Silla, K.135 |
| Mozart | “Voi che sapete che cosa è amor” from Le nozze di Figaro, K.492 |
| Haydn | Symphony No. 26 in D minor, ‘Lamentatione’ |
| Mozart | “Deh per questo istante solo” from La clemenza di Tito, K.621 |
Marianne Crebassa (mezzo-soprano)
The Mozartists
Ian Page conductor
Tickets £18.00-£50.00 (plus venue booking fees).
Wigmore Hall
36 Wigmore Street
London
W1U 2BP
https://www.wigmore-hall.org.uk
“Typical generosity from Page and company; his programming always goes beyond the call of duty in bringing the obscure to light and offering true revelation.”
THE ARTS DESK
Marianne Crebassa sings Mozart
26 February 2026, 7.30pm – Wigmore Hall
Marianne Crebassa’s meteoric rise on the international music scene has incorporated all the major Mozart mezzo-soprano roles in leading opera houses and festivals in Paris, Berlin, Milan and Salzburg. In her only London appearance of the season, she makes her début with Ian Page and The Mozartists in a programme that features a selection of favourite Mozart arias alongside two of Haydn’s most profound and exciting early symphonies.
Programme
| Mozart | “Dunque sperar poss’io… Il tenero momento” from Lucio Silla, K.135 |
| Haydn | Symphony No. 34 in D minor |
| Mozart | “Ah qual gelido orror… Il padre adorato” from Idomeneo, K.366 |
| Mozart | “Parto, ma tu, ben mio” from La clemenza di Tito, K.621 |
| Mozart | “Ah se a morir mi chiama” from Lucio Silla, K.135 |
| Mozart | “Voi che sapete che cosa è amor” from Le nozze di Figaro, K.492 |
| Haydn | Symphony No. 26 in D minor, ‘Lamentatione’ |
| Mozart | “Deh per questo istante solo” from La clemenza di Tito, K.621 |
Artists
Marianne Crebassa – Mezzo-Soprano
Ian Page – Conductor
Tickets £18.00-£50.00 (plus venue booking fees)
Wigmore Hall
36 Wigmore Street
London
W1U 2BP
https://www.wigmore-hall.org.uk
“Typical generosity from Page and company; his programming always goes beyond the call of duty in bringing the obscure to light and offering true revelation.”
THE ARTS DESK
Marianne Crebassa sings Mozart
26 February 2026, 7.30pm – Wigmore Hall
Marianne Crebassa’s meteoric rise on the international music scene has incorporated all the major Mozart mezzo-soprano roles in leading opera houses and festivals in Paris, Berlin, Milan and Salzburg. In her only London appearance of the season, she makes her début with Ian Page and The Mozartists in a programme that features a selection of favourite Mozart arias alongside two of Haydn’s most profound and exciting early symphonies.
Programme
| Mozart | “Dunque sperar poss’io… Il tenero momento” from Lucio Silla, K.135 |
| Haydn | Symphony No. 34 in D minor |
| Mozart | “Ah qual gelido orror… Il padre adorato” from Idomeneo, K.366 |
| Mozart | “Parto, ma tu, ben mio” from La clemenza di Tito, K.621 |
| Mozart | “Ah se a morir mi chiama” from Lucio Silla, K.135 |
| Mozart | “Voi che sapete che cosa è amor” from Le nozze di Figaro, K.492 |
| Haydn | Symphony No. 26 in D minor, ‘Lamentatione’ |
| Mozart | “Deh per questo istante solo” from La clemenza di Tito, K.621 |
Artists
Marianne Crebassa – Mezzo-Soprano
Ian Page – Conductor
Tickets £18.00-£50.00 (plus venue booking fees)
Wigmore Hall
36 Wigmore Street
London
W1U 2BP
https://www.wigmore-hall.org.uk
“Typical generosity from Page and company; his programming always goes beyond the call of duty in bringing the obscure to light and offering true revelation.”
THE ARTS DESK