‘Blackest Night’ – Ann Hallenberg sings Handel

16 June 2023 – Wigmore Hall, 7.30pm

Celebrated Swedish mezzo-soprano Ann Hallenberg, one of the brightest stars of today’s international Baroque scene, makes a welcome return with this captivating exploration of the theme of night in Handel’s operas and oratorios.

There will be a free pre-concert talk by Richard Wigmore at 6.15pm.

 

Handel “Cieca notte, infidi sguardi” from Ariodante
“Cease, ruler of the day, to rise” from Hercules
“Crude furie degli orridi abissi” from Serse
Concerto grosso in B flat major, Op. 3, no. 2
“Notte cara” from Floridante
“Sibillando, ululando” from Teseo
“Oh patria… Sol ristoro di mortali” from Arianna in Creta
“Where shall I fly?” from Hercules
Overture & “Scherza, infida, in grembo al drudo” from Ariodante
Concerto from Act One of Ottone
“Dopo notte, atra e funesta” from Ariodante

Ann Hallenberg mezzo-soprano

The Mozartists 

Ian Page conductor

“Scherza, infida, in grembo al drudo” from Ariodante

Anna Stéphany, The Mozartists/Ian Page

General sale for this concert will open on 14 February 2023.

Tickets £16-50.

Wigmore Hall
36 Wigmore St
London
W1U 2BP
https://wigmore-hall.org.uk/
 

Programme

Handel:

“Cieca notte, infidi sguardi” from Ariodante

“Cease, ruler of the day, to rise” from Hercules

Concerto grosso in B flat major, Op. 3, no. 2

“Notte cara” from Floridante

“Sibillando, ululando” from Teseo

“Oh patria… Sol ristoro di mortali” from Arianna in Creta

“Where shall I fly?” from Hercules

Overture & “Scherza, infida, in grembo al drudo” from Ariodante

Concerto from Act One of Ottone

“Dopo notte, atra e funesta” from Ariodante

Artists

Ann Hallenberg mezzo-soprano

The Mozartists 

Ian Page conductor

Listen

“Scherza, infida, in grembo al drudo” from Ariodante

Anna Stéphany, The Mozartists/Ian Page

Practical Information

General sale for this concert will open on 14 February 2023.

Tickets £16-50.

Wigmore Hall
36 Wigmore St
London
W1U 2BP
https://wigmore-hall.org.uk/
 

“Hallenberg, her mellow yet incisive tone perfectly ‘centred’, has you gasping in admiration at her mingled virtuosity and expressive power.”

GRAMOPHONE