Krystian Adam graduated in Voice and Music Education in Wroclaw in Poland. He then continued his studies at the G. Verdi Music Conservatory in Milan. He made his début as Conte d’Almaviva in Il Barbiere di Siviglia, followed by La Clemenza di Tito (title role) and Il Matrimonio Segreto (Paolino). Krystian regularly collaborates with prestigious conductors and ensembles, including: Claudio Abbado for Orchestra Mozart and Sir John Eliot Gardiner for the English Baroque Soloists. Highlights of his successful career are: Grimoaldo (Rodelinda) for Capella Cracoviensis under Ian Adamus; the world première of Fabio Vacchi’s Teneke for his stage debut in 2007 at the Teatro alla Scala, conducted by Roberto Abbado; Handel’s Israel in Egypt with Diego Fasolis; Tempo (Handel’s Il Trionfo del Tempo e del Disinganno) with Fabio Bonizzoni; the modern première of Piccinni’s Il Finto Turco with Federico Guglielmo; Ariodante (Lurcanio) in Beaune and in Santiago de Compostela with Federico Maria Sardelli; the modern première of Salieri’s Il Mondo alla Rovescia at the Teatro Filarmonico in Verona; Purcell’s Dido and Aeneas at the Teatro La Fenice in Venice, conducted by Attilio Cremonesi; Pergolesi’s Dixit Dominus under Claudio Abbado with Orchestra Mozart (recorded for Deutsche Grammophon); Gluck’s Le Cinesi at the Musikfestspiele in Potsdam and at the Winterthur Theatre with Werner Erhardt and L’Arte del Mondo; Ottone in Villa at the Innsbruck Festival with Giovanni Antonini; M. Haydn’s Requiem MH559 in Leverkusen; Alessandro Scarlatti’s La Giuditta in Rotterdam and Il Novello Giasone by Cavalli/Stradella at the Festival della Valle d’Itria in Martina Franca.
Recordings with The Mozartists:
Krystian Adam graduated in Voice and Music Education in Wroclaw in Poland. He then continued his studies at the G. Verdi Music Conservatory in Milan. He made his début as Conte d’Almaviva in Il Barbiere di Siviglia, followed by La Clemenza di Tito (title role) and Il Matrimonio Segreto (Paolino). Krystian regularly collaborates with prestigious conductors and ensembles, including: Claudio Abbado for Orchestra Mozart and Sir John Eliot Gardiner for the English Baroque Soloists. Highlights of his successful career are: Grimoaldo (Rodelinda) for Capella Cracoviensis under Ian Adamus; the world première of Fabio Vacchi’s Teneke for his stage debut in 2007 at the Teatro alla Scala, conducted by Roberto Abbado; Handel’s Israel in Egypt with Diego Fasolis; Tempo (Handel’s Il Trionfo del Tempo e del Disinganno) with Fabio Bonizzoni; the modern première of Piccinni’s Il Finto Turco with Federico Guglielmo; Ariodante (Lurcanio) in Beaune and in Santiago de Compostela with Federico Maria Sardelli; the modern première of Salieri’s Il Mondo alla Rovescia at the Teatro Filarmonico in Verona; Purcell’s Dido and Aeneas at the Teatro La Fenice in Venice, conducted by Attilio Cremonesi; Pergolesi’s Dixit Dominus under Claudio Abbado with Orchestra Mozart (recorded for Deutsche Grammophon); Gluck’s Le Cinesi at the Musikfestspiele in Potsdam and at the Winterthur Theatre with Werner Erhardt and L’Arte del Mondo; Ottone in Villa at the Innsbruck Festival with Giovanni Antonini; M. Haydn’s Requiem MH559 in Leverkusen; Alessandro Scarlatti’s La Giuditta in Rotterdam and Il Novello Giasone by Cavalli/Stradella at the Festival della Valle d’Itria in Martina Franca.
Recordings with The Mozartists: