1771 – A Retrospective
8 July 2021 – Cadogan Hall, 7.30pm
Ian Page’s visionary MOZART 250 series continues to build a widespread and highly enthusiastic following. The first of The Mozartists’ concerts since lockdown is a diverse and illuminating overview of the musical year 1771, featuring an exquisite selection of works that were composed and premiered 250 years ago. These include an unauthenticated symphony that was attributed to Mozart in Köchel’s catalogue, beautiful vocal rarities by Mysliveček and Salieri and an astonishingly original concerto by C. P. E. Bach, and the programme culminates with Haydn’s magnificent `Trauer’ symphony, whose elegiac slow movement the composer was said to have wanted to be performed at his funeral. The soloists are former BBC New Generation Artist Kitty Whately and acclaimed harpsichordist Steven Devine, and Ian Page conducts his outstanding period-instrument orchestra.
| Mozart[?] | Symphony in F major, K.75 |
| Mysliveček | Aria, “Non so se il mio peccato” from Adamo ed Eva |
| C. P. E. Bach | Harpsichord Concerto in C minor, Wq.43/4 |
| Salieri | Scena, “E non degg’io seguirla… Lungi da te, ben mio” from Armida |
| Haydn | Symphony No. 44 in E minor, ‘Trauer’ |
This concert will be socially distanced. Click here to see how Cadogan hall are keeping their visitors safe during Covid-19.
Concert ends c.9.45pm, interval 30 minutes.
Tickets £18-45 plus venue transaction booking fee.
Cadogan Hall
5 Sloane Terrace
Belgravia
London
SW1X 9DQ
cadoganhall.com
Cadogan Hall has a supportive policy for ticket holders who need to change their plans due to COVID-19. Please click here to see their safety policy.
“It is hard to think of a more valuable or ambitious long term musical project than Ian Page and
[The Mozartists]’s MOZART 250.”
EARLY MUSIC REVIEW
1771 – A Retrospective
8 July 2021 – Cadogan Hall, 7.30pm
Ian Page’s visionary MOZART 250 series continues to build a widespread and highly enthusiastic following. The first of The Mozartists’ concerts since lockdown is a diverse and illuminating overview of the musical year 1771, featuring an exquisite selection of works that were composed and premiered 250 years ago. These include an unauthenticated symphony that was attributed to Mozart in Köchel’s catalogue, beautiful vocal rarities by Mysliveček and Salieri and an astonishingly original concerto by C. P. E. Bach, and the programme culminates with Haydn’s magnificent `Trauer’ symphony, whose elegiac slow movement the composer was said to have wanted to be performed at his funeral. The soloists are former BBC New Generation Artist Kitty Whately and acclaimed harpsichordist Steven Devine, and Ian Page conducts his outstanding period-instrument orchestra.
Programme
Mozart[?]
Symphony in F major, K.75
Mysliveček
Aria, “Non so se il mio peccato” from Adamo ed Eva
C. P. E Bach
Harpsichord Concerto in C minor, Wq.43/4
Salieri
Scena, “E non degg’io seguirla… Lungi da te, ben mio” from Armida
Haydn
Symphony No. 44 in E minor, ‘Trauer’
| Mozart | Symphony in F major, K.75 |
| Mysliveček | Aria, “Non ti chieggo amor” from Adamo ed Eva |
| C. P. E. Bach | Harpsichord Concerto in C minor, Wq.43/4 |
| Salieri | Scena, “E non degg’io seguirla… Lungi da te” from Armida |
| Haydn | Symphony No. 44 in E minor, ‘Trauer’ |
Artists
Practical Information
Concert ends c.9.30pm, interval 20 minutes.
Tickets £18-45 plus venue transaction booking fee.
Cadogan Hall
5 Sloane Terrace
Belgravia
London
SW1X 9DQ
cadoganhall.com
Cadogan Hall has a supportive policy for ticket holders who need to change their plans due to COVID-19.
Please click here to see their safety policy.
“It is hard to think of a more valuable or ambitious long term musical project than Ian Page and [The Mozartists]’s MOZART 250.”
EARLY MUSIC REVIEW